A. she had unintentionally restricted her reading choices.

B. her attention had so far been confined to a single literary genre.

C. her library collection consisted exclusively of British and American writers

D. she had to adjust to the cosmopolitan circle she socialized with.

A. She appealed to some writers for their unpublished manuscripts.

B. She got tremendous support from libraries around the world.

C. She paid a team of translators for their work on the English versions of some books.

D. She rigorously kept to the tight schedule she had drawn up.

A. broadening your horizons through travel.

B. reading as many books as possible within a set time.

C. experiencing the world through literary works.

D. travelling to locations prominent in literary texts.

A. was not assessed by the panel at all.

B. got no support from the panel because of its technical flaws.

C. wasn’t appreciated at the initial stage of the assessment procedure

D. got mixed up with the rejected submissions by accident.

A. questioned the authority of the Premier of New South Wales.

B. put the building schedule at risk by accepting other commissions.

C. had to economize to cover the cost of the engineering mistake he had made.

D. sued the authorities for a breach of the contract they had signed.

A. presents the circumstances which led to Utzon’ absence at the opening of the Sydney Opera House

B. speculates about undisclosed reasons for Utzon’s failure.

C. criticizes the city authorities for employing an inexperienced architect.

D. undermines Utzon’s contribution to Sydney’s best-known landmark.